Reines Gold authentische Kintsugi Keramik Werkstatt mit Meister Handwerker
Beschreibung
Kintsugi ist eine einfache Restaurationstechnik, bei der Gold oder anderes Metallpulver verwendet wird, um zerbrochene, abgesplitterte oder gerissene Teile zu reparieren. Kintsugi wird in Japan seit der Antike überliefert, und die Kultur, sich gut um Dinge zu kümmern, hat weltweit Aufmerksamkeit erregt. Kintsugi-Lack stammt vom Gifteichenbaum oder Schwarzbaum aus der Familie der Giftefeugewächse. Im getrockneten Zustand ist Lack ein natürlicher Klebstoff, der für den menschlichen Körper unschädlich ist und eine härtende Wirkung hat. Risse werden bei Kintsugi als Landschaft betrachtet, und die Verbindung wird mit Gold-, Silber- oder anderem Metallpulver verziert. Kintsugi basiert darauf, nicht so zu tun, als hätten die Risse nie existiert, sondern sie als Teil der Geschichte des Gegenstands zu betrachten und ihm neues Leben einzuhauchen. Im Jahr 2024 wird Meister Taku mit der Medaille mit dunkelblauem Band ausgezeichnet, der ehrenvollen Auszeichnung, die Personen verliehen wird, die in diesem Jahr bedeutende Leistungen in den Bereichen Wissenschaft, Kunst, Erfindung, Verbesserung und Schöpfung erbracht haben.
Tour-Optionen
Highlights
Was ist inklusive
Bewertungen der Reisenden
Wichtige Informationen
- In der Umgebung sind öffentliche Verkehrsmittel verfügbar.
- Kleinkinder können in einem Kinderwagen gefahren werden.
- Alle Bereiche und Böden sind rollstuhlgerecht.
- Rollstuhlgerechter Zugang
- Für alle Fitnesslevel geeignet
Bewertungen(225)
I paid near $150.00 for a 2 hours class with a master artisan, I got an hour class with one of the apprentice. The master gave the class to the previous group who was lingering on my time. Instead of a seat in the class I was put on a table near the closet and instructed by one of his helper on the art of Kintsugi. She was very good or I was learning fast because we were done in an hour. I completed my project and got the tools to do it at home. At no time did the master came and check with me. The instructions were adequate but I felt kind of cheated. I will recommend this activity but make sure you get the master or pay for the help
The concept, history and technique were all explained through words and videos, and the teachers guided us closely enough that we didn't make mistakes while still doing all the work ourselves, which was ideal. The gentleman guiding us was very kind and friendly. Now we have wonderful souvenirs to keep a wonderful memory alive. Been wanting to try kintsugi for a very long time and I'm glad I did it here.
Had a lot of fun learning about traditional Japanese ceramics and culture. It was really cool learning by about the different tools, materials and history behind the designs and work.
It was very great! We had such an amazing time as a group !
It’s really fun, the first time trying to fix the ceramic with gold
And excellent experience! Very relaxing, meaningful, and educational! High recommend!
It was a great class to experience and understand the beautiful art of Kintsugi! The artist was very kind and the other teachers were also. It was wonderful- we loved it so much, they let us buy other pieces to give to friends!
Junko was a super friendly and helpful instructor! Fun experience to learn about the history and meaning of the practice. Great to be able to create a piece as a beautiful souvenir
Fun class! Highly recommend learning about an amazing technique to make something broken even more beautiful. The studio is in the basement behind a stainless steel gate. Traffic can be awful so plan for extra time. I barely made it on time and I built in 30 minutes of ‘extra’ time. Also, in Japan, on time is 5 minutes early.
As someone passionate about art and a studio art minor, I was looking forward to this experience the most during my entire trip to Japan and was unfortunately let down. The instructor/artist clearly was very good at his craft however not great at explaining things well. I asked questions for understanding and assistance multiple times during the session and was ignored most of the time. I was 1 of 4 people in the class so it had nothing to do with amount of others in the class. Not sure if the instructor was upset or what was going on but it seemed odd. I really was hoping for a deeper understanding of the method and background of the art.
